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EnigmA Amiga Run 1995 November
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EnigmA AMIGA RUN 02 (1995)(G.R. Edizioni)(IT)[!][issue 1995-11][Skylink CD].iso
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1995-08-25
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1c1
< CRC: 0xAB173D29 File: quotes.list Date: Fri Jul 14 07:12:40 1995
---
> CRC: 0x2B2D8A43 File: quotes.list Date: Fri Aug 25 07:20:22 1995
3c3
< This is the Quotes List v1154 [Sun Jul 9 22:56:11 PDT 1995]
---
> This is the Quotes List v1156 [Sat Aug 19 15:45:23 PDT 1995]
11c11
< I owe a large debt of gratitude of Lars Jorgen Aas, my distinguished
---
> I owe a large debt of gratitude to Lars Jorgen Aas, my distinguished
28c28
<
---
>
31,56c31,56
< Actors | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Actresses | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Alternative Names | Michel Hafner <hafner@ifi.unizh.ch> | 07/07/95
< Alternative Titles | Michel Hafner <hafner@ifi.unizh.ch> | 07/07/95
< Biographies | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Cast Completion | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Certificates | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Cinematographers | Michel Hafner <hafner@ifi.unizh.ch> | 07/07/95
< Color Information | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Composers | Michel Hafner <hafner@ifi.unizh.ch> | 07/07/95
< Costume Designers | Harald Mayr <marvin@bike.augusta.de> | 07/07/95
< Countries | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Crazy Credits | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Directors | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Editors | Harald Mayr <marvin@bike.augusta.de> | 07/07/95
< Genres | Lars J Aas <larsa@colargol.edb.tih.no> | 07/07/95
< Goofs | Murray Chapman <muzzle@cs.uq.oz.au> | 07/07/95
< Literature | Joachim Polzer <polzer@zedat.fu-berlin.de> | 06/30/95
< Locations | Rob Hartill <movie@cm.cf.ac.uk> | 07/07/95
< Misc. Filmography | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Movie Links | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Movies | Michel Hafner <hafner@ifi.unizh.ch> | 07/07/95
< Plot Summaries | Colin Tinto <colint@spider.co.uk> | 07/07/95
< Producers | Andre Bernhardt <ujad@rz.uni-karlsruhe.de> | 06/16/95
< Production Companies | Rob Hartill <movie@cm.cf.ac.uk> | 07/07/95
< Production Designers | Harald Mayr <marvin@bike.augusta.de> | 07/07/95
---
> Actors | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Actresses | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Alternative Names | Michel Hafner <hafner@ifi.unizh.ch> | 08/18/95
> Alternative Titles | Michel Hafner <hafner@ifi.unizh.ch> | 08/18/95
> Biographies | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Cast Completion | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Certificates | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Cinematographers | Michel Hafner <hafner@ifi.unizh.ch> | 08/18/95
> Color Information | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Composers | Michel Hafner <hafner@ifi.unizh.ch> | 08/18/95
> Costume Designers | Harald Mayr <marvin@bike.augusta.de> | 08/18/95
> Countries | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Crazy Credits | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Directors | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Editors | Harald Mayr <marvin@bike.augusta.de> | 08/18/95
> Genres | Lars J Aas <larsa@colargol.edb.tih.no> | 08/11/95
> Goofs | Murray Chapman <muzzle@cs.uq.oz.au> | 08/04/95
> Literature | Joachim Polzer <polzer@zedat.fu-berlin.de> | 08/11/95
> Locations | Rob Hartill <movie@cm.cf.ac.uk> | 08/18/95
> Misc. Filmography | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Movie Links | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Movies | Michel Hafner <hafner@ifi.unizh.ch> | 08/18/95
> Plot Summaries | Colin Tinto <colint@spider.co.uk> | 08/11/95
> Producers | Andre Bernhardt <ujad@rz.uni-karlsruhe.de> | 08/18/95
> Production Companies | Rob Hartill <movie@cm.cf.ac.uk> | 08/18/95
> Production Designers | Harald Mayr <marvin@bike.augusta.de> | 08/18/95
58,66c58,66
< Ratings | Col Needham <cn@ibmpcug.co.uk> | 07/07/95
< Release Dates | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Running Times | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Sound Mix | Mark Harding <ccsmh@bath.ac.uk> | 07/07/95
< Soundtracks | Ron Higgins <rhiggins@carroll1.cc.edu> | 07/07/95
< Tag Lines | Rob Hartill <movie@cm.cf.ac.uk> | 07/07/95
< Technical Info | Joachim Polzer <polzer@zedat.fu-berlin.de> | 06/30/95
< Trivia | Murray Chapman <muzzle@cs.uq.oz.au> | 07/07/95
< Writers | Jon Reeves <reeves@zk3.dec.com> | 07/07/95
---
> Ratings | Col Needham <cn@ibmpcug.co.uk> | 08/18/95
> Release Dates | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Running Times | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Sound Mix | Mark Harding <ccsmh@bath.ac.uk> | 08/18/95
> Soundtracks | Ron Higgins <rhiggins@carroll1.cc.edu> | 08/04/95
> Tag Lines | Rob Hartill <movie@cm.cf.ac.uk> | 08/18/95
> Technical Info | Joachim Polzer <polzer@zedat.fu-berlin.de> | 08/11/95
> Trivia | Murray Chapman <muzzle@cs.uq.oz.au> | 08/04/95
> Writers | Jon Reeves <reeves@zk3.dec.com> | 08/11/95
68c68
<
---
>
100d99
< http://www.leo.org/Movies/welcome.html
101a101,102
> http://rte66.com/Movies/welcome.html
> http://www.leo.org/Movies/welcome.html
794a796,801
> # Annabel Takes a Tour (1938)
>
> Josephine: Annabel's fallen in love!
> Howard Webb: She can't do that. It's not in her contract.
>
>
895a903,908
> # Apollo 13 (1995)
>
> Blanch Lovell: If they could get a washing machine to fly, my Jimmy
> could land it.
>
>
914a928,932
> # Armored Car Robbery (1950)
> Ryan: Imagine a dish like this married to a mug like Benny
> McBride. The naked and the dead.
>
>
1012a1031,1048
> # Bachelor and the Bobby-Soxer, The (1947)
>
> Richard Nugent: Hey, you remind me of a man.
> Susan Turner: What man?
> Richard Nugent: Man with the power.
> Susan Turner: What power?
> Richard Nugent: Power of hoodoo.
> Susan Turner: Hoodoo?
> Richard Nugent: You do.
> Susan Turner: Do what?
> Richard Nugent: Remind me of a man...
>
> Matt Beemish: I couldn't help overhearing. I had my ear to the door.
>
> Agnes Prescott: Now there's a guy who never goes out of a girl's
> mind. He just stays there...like a heavy meal.
>
>
1162a1199,1216
> Chase: Well, I wish I could say that my interest in you was... purely
> professional.
> Batman: Are you trying to get under my cape, doctor?
> Chase: A girl can't live by psychoses alone.
> Batman: It's the car, right? Chicks love the car.
>
> Bruce Wayne/Batman: I don't blend in at a family picnic.
> Chase: Oh, we could give it a try. I'll bring the wine. You bring
> your scarred psyche.
>
> Bruce Wayne: So, you're willing to take a life.
> Dick Grayson: As long as it's Two-Face.
> Bruce Wayne: Then, it will happen this way. You make the kill. But
> your pain doesn't die with Harvey. It grows, and you run out into
> the night to find another face, and another, and another, until one
> terrible morning you wake up and realize that revenge has become
> your whole life. And you won't know why.
>
1242a1297,1302
> # Big Blue, The (1988)
>
> Enzo: Time erases everything. When I was 17 I was so in love I could
> die for her, two years later I didn't even remember her name.
>
>
1561a1622,1623
> Frank Booth: You get a love letter from me and you're fucked for life!
>
1707a1770,1775
> # Bound by Honor (1993)
>
> Miklo Velka: When you expect nothing and get everything, that's
> destiny.
>
>
1732a1801,1805
> # Braindead (1992)
>
> Father McGruder: I kick arse for the lord!
>
>
1923a1997,2003
> # Bullets Over Broadway (1994)
>
> Helen Sinclair: You stand on the brink of greatness. The world will
> open to you like an oyster. No ... not like an oyster. The world
> will open to you like a magnificent vagina.
>
>
2075c2155
< Captain Louis Renault: But this is the desert.
---
> Captain Louis Renault: The waters? What waters? We're in the desert.
2132,2133c2212,2213
< Rick Blaine: All the gin joints in all the towns in all the world, she
< walks into mine.
---
> Rick Blaine: Of all the gin joints in all the towns in all the world,
> she walks into mine.
2299a2380,2385
> Deltoid: I've just come from the hospital; your victim has died.
> Alex: You try to frighten me. Admit so, sir. This is some new form of
> torture. Say it, Brother Sir.
> Deltoid: It'll be your own torture. I hope to God it'll torture you
> to madness.
>
2531a2618,2626
> # D.O.A. (1949)
>
> Dr. MacDonald: Of course I'll have to notify the police. This is a
> case for Homicide.
> Frank Bigelow: Homicide!
> Dr. MacDonald: I don't think you fully understand, Bigelow. You've
> been murdered.
>
>
2534a2630
>
2535a2632
>
2968a3066,3079
> # Ed Wood (1994)
>
> [Dr. Tom Mason is practicing his Bela Lugosi impersonation while
> waiting to be baptised]
> Dr. Tom Mason: I want to suck your blood...
> Bunny Breckenridge: Very good. Now let's hear you say "Boris Karloff
> is a cocksucker".
>
>
> # Elephant Man, The (1980)
>
> John Merrick: I am not an animal! I am a human being! I am a man!
>
>
3323a3435,3442
> # First Knight (1995)
>
> King Arthur: This is the heart of Camelot, not these stones, not these
> timbers, these palaces and towers. Burn them all and Camelot lives
> on, because it lives in us. Camelot is a belief that we hold in our
> hearts.
>
>
3791a3911,3925
> # Gilded Lily, The (1935)
>
> Peter Dawes: But popcorn-- ah, popcorn was made for watching the world
> go by. Look. I stick my hand in the bag without taking my eyes off
> the street. I throw some popcorn in my craw. I chew...and I'm still
> looking. That's what I call class.
> Marilyn David: Sure. Peanut eaters don't know how to live.
>
> Marilyn David: Pete, you're a smart fellow. What do poor little
> working girls usually do next?
> Peter Dawes: Well, they usually drown themselves, one way or the
> other.
> Marilyn David: I'll take the other.
>
>
3838a3973,3994
> # Goin' to Town (1935)
>
> Young Fellow: What excuse has a gal like you for runnin' around
> single?
> Cleo Borden: Mmm, I was born that way.
>
> Buck Gonzales: With any other dame, I wouldn't give a hoot. When it
> comes to you, I'm dynamite!
> Cleo Borden: Yes, and I'm your match.
>
> Buck Gonzales: You ain't scared of me 'cause they say I'm a bad man?
> Cleo Borden: I'm a good woman for a bad man.
>
> Cleo Borden: Cigarette me, Cossack.
>
> Ivan Valadov: For one kiss of your lips I would give half of my life.
> Cleo Borden: Oh, see me tomorrow, I'll kiss you twice.
>
> [Cleo sings last lines]
> Cleo Borden: But now I'm a lady / Come up and see me some time.
>
>
4211a4368,4380
> # Having Wonderful Crime (1945)
>
> Helene: Not so fast, my skirt's too tight!
> Jake: Oh, I told you you didn't know how to dress for a murder.
>
>
> # He Married His Wife (1940)
>
> Bill Carter: If you never saw him before, why'd you let him kiss you?
> Ethel Hillary: Well, after all, Bill, there is such a thing as
> hospitality.
>
>
4217a4387,4393
> # Heartbreakers (1984)
>
> Blue: How do you like my paintings?
> Liliane: You reduce women to objects.
> Blue: That's called art.
>
>
4333a4510,4516
> # High Plains Drifter (1972)
>
> Sarah Belding to the Stranger: You're the sort of a man that makes
> people afraid.
> Stranger: Why, it's what people hide inside that makes them afraid.
>
>
4374a4558,4568
> # Highway 61 (1991)
>
> Pokey Jones: I never left home, but I know every inch of this
> highway. I know it inside out. Ask me a question if you like: ask me
> anything.
> Jackie Bangs: Do you wanna have sex with me?
> Pokey: What?
> Jackie: Do you wanna have sex?
> Pokey: No, I'm fine, thank you.
>
>
4392a4587,4592
> # Hitler Gang, The (1944)
>
> Rvhm: Gerlich has shot himself.
> Streicher: He's the first man who shot himself in the head six times.
>
>
4415a4616,4620
> # Hooray for Love (1935)
>
> Pat: Oh, I hate the country. I'm afraid of the wildflowers.
>
>
4712a4918,4923
> # Jackson County Jail (1976)
>
> Dinah Hunter: They're gonna kill you!
> Coley Blake: That don't matter. I was born dead.
>
>
4809c5020
< # Kameradschaft (1931)
---
> # Kansas City Princess (1934)
4811,4813c5022,5024
< [First line]
< Kid #1: Oh, jetzt habe ich gewonnen.
< Kid #2: Lass los, dass sind meine.
---
> Marie Callahan: Now get this and get it straight. A girl's got to have
> three things nowadays: money, jack, and dough! 'Bout time you
> learned it.
5206,5209c5417,5423
< Officer: That bloody well 'urts!
< T.E. Lawrence: Of course it hurts.
< Officer: Well, what's the trick then?
< T.E. Lawrence: The trick is not minding that it hurts.
---
> [Lawrence has just extinguished a match between his thumb and
> forefinger. William Potter surreptitiously attempts the same.]
> William Potter: Ooh! It damn well 'urts!
> T.E. Lawrence: Certainly it hurts.
> Officer: What's the trick then?
> T.E. Lawrence: The trick, William Potter, is not minding that it
> hurts.
5269a5484,5496
> # Lightnin' in the Forest (1948)
>
> [Jerri and David are careening down a city street]
> David Lamont: Do you always drive like this?
> Jerri Vail: No. Sometimes I like to go fast.
>
>
> # Limelight (1952)
>
> Calvero: There's something about working the streets I like. It's the
> tramp in me I suppose.
>
>
5429a5657,5671
> # Man About Town (1939)
>
> Bob Temple: Use a little imagination, Rochester. What would you order
> if you wanted to make an impression?
> Rochester: How about fish and chips and a couple of bottles of gin?
>
> Bob Temple: Rochester, you never ask a titled lady for her phone
> number. We just had lunch.
> Rochester: Man, that's like readin' one page and throwin' away the
> book.
>
> Ted Nash: Bob, you're shaking like a leaf.
> Bob Temple: Shaking like a leaf! What's a leaf got to shake about?
>
>
5522a5765,5773
> # Margie (1946)
>
> Professor Fontayne: I was just looking for Keats. Do you like Keats?
> Margie: I don't know, sir. What are keats?
>
> Marybelle: Well, I don't see what he sees in her. She's old. She must
> be twenty-five at least.
>
>
5603a5855,5859
> # Microwave Massacre (1983)
>
> Donald: I'm so hungry I could eat a whore.
>
>
6149a6406,6434
> # Never Give a Sucker an Even Break (1941)
>
> The Great Man: You're about to fall heir to a kitten's stocking.
> Heckler: What's a kitten's stocking?
> The Great Man: A sock on the puss.
>
> The Great Man: How'd you like to hide the egg and gurgitate a few
> saucers of mocha java?
>
> Waitress: And another thing. Don't be so free with your hands.
> The Great Man: Listen, honey. I was only trying to guess your
> weight. You take things too seriously.
>
> Receptionist: Some day you'll drown in a vat of whiskey!
> The Great Man: Drown in a vat of whiskey. Death, where is thy sting?
>
> Stewardess: Can I get you a bromo?
> The Great Man: No, I couldn't stand the noise.
>
> His Niece: Why didn't you ever marry?
> The Great Man: I was in love with a beautiful blonde once, dear. She
> drove me to drink. That's the one thing I'm indebted to her for.
>
> The Producer: This script is an insult to a man's intelligence. Even
> mine.
>
> The Great Man: Suffering sciatica!
>
>
6388a6674,6677
> General McClintock: With all due respect,colonel, if you don't follow
> us to Travis Air Force base, we'll blow you out of the sky.
> Daniels: With all due respect, general, fuck you, sir.
>
6839a7129,7145
> # Producers, The (1968)
>
> Leo Bloom: Actors are not animals! They're human beings!
> Max Bialystock: They are? Have you ever eaten with one?
>
> Franz Leibkind: Hitler..there was a painter! He could paint an entire
> apartment in ONE afternoon! TWO coats!!
>
> Max Bialystock: You're an accountant! You're in a noble profession!
> The word "count" is part of your title!
>
> Max Bialystock: You have exactly ten seconds to change that look of
> disgusting pity into one of enormous respect!
>
> Leo Bloom: I'm in pain and I'm wet and I'm still hysterical!!
>
>
7087a7394,7400
>
> # Rainmaker, The (1956)
>
> H.C. Curry: I don't believe in rainmakers.
> Bill Starbuck: What DO ya believe in mistah? Dyin' cattle?
>
>
7300a7614,7618
> Miller: John Wayne was a fag.
> All: The hell he was!
> Miller: He was, too, you boys. I installed two-way mirrors in his pad
> in Brentwood, and he come to the door in a dress.
>
7385a7704,7707
> Princess Leia: I know. Somehow, I've always known.
>
> Luke Skywalker: Your overconfidence is your weakness.
> Emperor Palpatine: Your faith in your friends is yours.
7390,7399d7711
< [Spoiler]
< Luke Skywalker: If I don't make it back, you're the only hope for the
< Alliance.
< Princess Leia Organa: Luke, don't talk that way. You have a power I
< don't understand and could never have.
< Luke Skywalker: You're wrong, Leia. You have that power too. In time
< you'll learn to use it as I have. The Force runs strong in my
< family. My father has it. I have it. And... my sister has it.
< Yes. It's you, Leia.
<
7428a7741,7752
> # Riffraff (1947)
>
> [Hammer, annoyed with a bar hustler, sends him crashing into a table]
> Bar proprietor: You shouldn't do that, Mr. Hammer. It gives the place
> a bad reputation.
> Dan Hammer: You mean a worse reputation.
>
> Dan Hammer: Guys around bars talk. Anything you can find out will be
> worth fifty.
> Maxine Manning: No thanks. That wouldn't keep me in aspirin.
>
>
7485a7810,7822
> # Road House (1948)
>
> Lily: Well, I'm Lil Stevens, the new entertainer from Chicago. Right
> now I'd like to sleep.
> Pete: Oh. The new equipment.
>
> Sam: Hey, Susie! What do you think of this one? She's somethin', isn't
> she?
> Susie: If you like the sound of gravel.
>
> Susie: She does more without a voice than anybody I've ever heard!
>
>
7494a7832,7838
> # Roaring Twenties, The (1939)
>
> [last line]
> Cop: Who is he?
> Panama Smith: He used to be a bigshot.
>
>
7668a8013,8021
> # Samson and Delilah (1949)
>
> Samson: The oldest trick in the world. Silk trap, baited with a woman.
> Delilah: You know a better bait, Samson? Men *always* respond.
>
> Saran of Gaza: He was not captured by force of arms, but by their
> softness.
>
>
7706a8060,8083
> # Set-Up, The (1949)
>
> Stoker: Yeah, top spot. And I'm just one punch away.
> Julie: I remember the first time you told me that. You were just one
> punch away from the title shot then. Don't you see, Bill, you'll
> always be just one punch away.
>
> Stoker: Well, that's the way it is. You're a fighter, you gotta fight.
>
> Red: I tell you, Tiny, you gotta let him in on it.
> Tiny: How many times I gotta say it? There's no percentage in
> smartenin' up a chump.
>
>
> # Seven Sinners (1940)
>
> District Officer: There've been a half a dozen complaints since you
> came to that cafe.
> Bijou: A half-dozen! Why not fifty? I'm surprised.
>
> Lt. Dan Brent: Imagine finding you here.
> Bijou: I'm the type of girl you're liable to find anywhere.
>
>
7730a8108,8109
> C. S. Lewis: Pain is God's megaphone to rouse a deaf world.
>
7746a8126,8127
> Dog 7: Baby, you're so fine, I'd drink a tub of your bath water.
>
7851c8232,8248
< Mal: Now I don't wanna kill you, and you don't wanna be dead.
---
> Paden: They just jumped you out of the blue?
> Emmett: I had to get up anyway.
>
> [Paden has gotten his horse back and they're "kissing" each other.]
> Marshall: How do I know this is your horse?
> Paden: Can't you see this horse loves me?
> Marshall: I had a gal do that to me. It didn't make her my wife.
>
> Hobart: Baxter! Hawley! Where the hell've you been? You're late and
> I tell you, I don't like it. It's a bad start, boys. I got my
> people down there throwin' snowballs and rarin' to go.
> Emmett: I'm afraid it is a bad start, friend, 'cause my name ain't
> Baxter, he ain't Hawley.
> Hobart: You're not Baxter?
> Emmett: Name's Emmett.
> Hobart: You're not Baxter either?
> Paden: No, I'm not *Hawley*.
7854a8252,8266
> Mal: Mister, you got a lot to learn about people.
>
> Hannah: I want to build something. Make things grow. That takes hard
> work. A lifetime of it. That's not why a man comes to a pretty
> woman. After a while I won't be so pretty. But this land will be.
>
> Mal: Now I don't wanna kill you, and you don't wanna be dead.
>
>
> # Singapore (1947)
>
> Linda: So let me ruin you fast.
> Matt Gordon: How many have you ruined?
> Linda: You're my last victim, darling.
>
7857a8270,8276
> Cosmo: Talking pictures, that means, that i'm out of a job. At last I
> can start suffering and write out that symphony.
> Simpson: You're not out of job, we're putting you in as head of our
> new music department.
> Cosmo: Oh, thanks. At last I can stop suffering and write that
> symphony.
>
7910a8330,8339
> # Snowed Under (1936)
>
> Pat Quinn: Last summer you wouldn't have turned me out in the snow.
> Alan Tanner: Last summer there wasn't any snow.
>
> Pat Quinn: With me by his side, he wouldn't get into jams!
> Alice Merritt: When I was married to him, it was jam for breakfast,
> jam for lunch, and jam for dinner.
>
>
8054a8484,8489
> [Princess Vespa has been given a gun]
> Princess Vespa: No, I don't like guns.
> [Her hair gets singed by a laser]
> Princess Vespa: My hair, he shot my hair. Son of a BITCH!! [begins
> blasting]
>
8062a8498,8505
> Swat Cop:Anything else that'll keep this elevator from falling?
> Jack Traven: The basement.
>
> Jack Traven: Tell me again Harry, why did I take this job?
> Harry Temple: Oh come on, thirty more years you get a tiny pension and
> a cheap gold watch.
> Jack Traven: Cool.
>
8080a8524,8527
> [Jack is helped onto the bus after trying to defuse bomb]
> Stephens: Did you have any luck with the bomb?
> Jack Traven: Yeah, it didn't go off.
>
8107a8555,8567
> # Split Second (1953)
>
> Larry Fleming: Well, Colonel, when you've seen one atom bomb, you've
> seen them all.
>
> Larry Fleming: You don't think very much of people, do you?
> Sam Hurley: I don't think very much of anything.
>
> Sam Hurley: You ever been locked up? Some people can stand it and some
> people can't. The ones who can't would kill themselves and anybody
> else just to get out for five minutes.
>
>
8184a8645,8647
> Dr. McCoy: Logic? My God! The man's talking about logic! We're
> talking about universal armageddon!
>
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> # Stranger on the Third Floor (1940)
>
> Michael Ward: Did you ever want to kill a man?
> Martin: My son, there's murder in every intelligent man's heart.
>
> The Stranger: I want a couple of hamburgers...and I'd like them raw.
>
>
8573a9045,9054
> # Take a Letter, Darling (1942)
>
> Tom Verney: You're a beautiful brain and beautiful clothes. No
> temperature, no pulse. That's all.
> A.M. MacGregor: Where did you learn about women, Verney?
> Tom Verney: It isn't a matter of learning. It's instinct.
> A.M. MacGregor: I'm a brain with no pulse, eh? I'm a woman, Verney,
> more woman than you'll ever know.
>
>
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> # Temptation (1946)
>
> Ruby: Men are just begging to be lied to... so I lie. They don't fall
> in love with me; they never trouble to know me; they just fall in
> love. And they're cheated by their own imaginations.
> Isaacson: Interesting viewpoint.
> Ruby: It's the truth! If I can have everything I want, money,
> pleasure, admiration, just by a little harmless lying, I'd be a fool
> not to lie, wouldn't I?
>
>
9609a10102,10107
> # Wild Man of Borneo, The (1941)
>
> Francine Diamond: There ain't no flies on me!
> J. Daniel Thompson: You can't blame the flies, Francine.
>
>
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> # Woman's Vengeance, A (1947)
>
> Dr. Libbard: Some women cry as easily as a pig grunts. And enjoy it
> very nearly as much.
>
>
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< George M. Cohan: Good. Ham make me self-conscious.
---
> George M. Cohan: Good. Ham makes me self-conscious.